“Beyond the Canon: Small Scale American Abstraction, 1945-1965” at the Robert Miller Gallery mixes together unknown gems, golden oldies and undistinguished work.
A close look a prosaic photograph by Friedhelm Denkeler, on display in the show “First Doubt: Optical Confusion in Modern Photography” at the Yale University Art Gallery.
The rebuilding of the Hohenzollern Stadtschloss, a cultural misadventure from the start, captures Berlin in a nutshell as a city forever missing the point of itself.
More than 75 examples from Franklin Delano Roosevelt’s collection, including 30 ship models, can be seen in “Treasures of a President: FDR and the Sea.”
Once you get past its resplendent multiculturalism, Raqib Shaw’s art also reads as a series of homages to the artists he studied on his frequent trips to the National Gallery.
When it was quietly announced on Dec. 17 that this spring’s International Asian Art Fair would be canceled, many began to wonder about the fate of other art fairs.
Alanna Heiss’s last curatorial act as the director of P.S. 1 Contemporary Art Center is a survey of the work of the elusive Italian artist Gino De Dominicis.
“Art’s Choice + Muniz = Rebus” is a marvelous teaching tool that lives up to its title with unusual extravagance if you give it enough time and attention.
After two decades of neglect, Masstransiscope — an unusual piece of art that is part painting, part movie, part conceptual experiment — is once again playing to audiences on Manhattan-bound Q and B trains.